Since you’ll be doing the final conversion to B&W yourself, this means you have a lot more options for that conversion, resulting in an image with more details, more contrast, and more excitement! black and white conversion with Silver Efex Pro If you want to keep the camera’s conversion to B&W, you need to shoot JPEG or RAW+JPEG). (In fact, if you set your camera to record RAW, and to shoot B&W, you will see the B&W image on the back of the camera, but as soon as you open the RAW file in a decoder like DxO PhotoLab, you’ll see the RAW file in color. The Red, Blue and Green channels are all still recored in the RAW file, even when shooting black and white.

However other than RAW data being better, you actually have three different channels of values to pull from to make your black and white photo. See this article to understand why that will limit you, if you don’t already know. You can set your camera to black and white, but is that the best option? If you shoot in B&W in the camera, you’ll get a B&W JPEG.

How do you go about shooting for black and white? It’s harder to do right but when you do it right… it’s really really nice. The photographer can’t rely on a super pretty sunset or bright red apple to make the image compelling. The image has to be great because of composition and lighting, not because of color.

But there’s something special about a Black and White photo. Eventually we got color, and color is awesome. Back in the early days of photography, all photos were monochromatic.

Dxo photolab black friday